Updated: Aug 23, 2019
Using shapes from drawing sketchbook to create relief sculptures in glass
Using a mixture of 6mm and 3mm fibre paper
Playing with colour on top of the carving to see if the two aspects work together
The Carving becomes very subtle under the colour
I think as it stands with the colours being put into the mould rather than melted from above the carving works better when it is a really deep carve and when there is less colour. Next stage of the carving process is to work out whether or not, when the colour falls from the melt plates does it over-power the carving or do they work together.